Binary Bashers
History Loves Neat Categories.
We Don’t.

BINARY BASHERS is an original audio docu-series produced by Embracing All of Me. The first volume explores Black historical figures whose lives challenged the rigidity of race, identity, desire, gender, and belonging.
The series brings into focus individuals whose emotional, relational, and embodied complexity has systemically been flattened, or excluded, from dominant historical narratives.

Listen to the Trailer

“I mean to be fully and freely all that I am“
JUNE JORDAN

Binary Bashers: Volume I challenges the idea that Black U.S. and global majority histories must be singular or easily categorized to be valid or recognized. Binary Bashers restores depth to these legacies by tracing how desire, relationships, embodiment, and social life have long moved beyond colonial, heteronormative, and monosexual frameworks. Rather than imposing modern identity labels, it excavates and reads archives, creative work, and community memory to understand how complex ways of living were expressed and recognized in their own time.

“Multiplicity is not confusion.
It’s capacity.“
DR. IBRAHIM FARAJAJE
Binary Bashers is a historical audio documentary series for mature audiences (16+).
Episodes contain discussions of racial violence, trauma, and systemic oppression.
Parents: please preview episodes before sharing with younger listeners.
Featured Figures: Volume I
- Claude McKay (1889–1948)
- Alice Dunbar-Nelson (1875–1935)
- Countee Cullen (1903–1946)
- June Jordan (1936–2002)
- Dr. Ibrahim Farajajé (1952–2016)
- Ma Rainey (1886–1939)
- Leslie Hutchinson (1900–1969)
- Frances Thompson (1840–1876)
- Pauli Murray (1910-1985)
- Kuwasi Balagon (1946-1986)
- ABilly S. Jones-Hennin (1942-2024)
Methodology
In Binary Bashers, “bi-coded” is an interpretive lens, used to translate historical figures own writing, art, and lived experience into modern times. “Bi-coded” is not a retroactive identity label. It’s a contextual and historically situated interpretative lens that asks how would we interpret this figure’s work and where they may fit socially if we knew what we know now.

| Term | What it implies | Evidence needed |
|---|---|---|
| Bi/bisexual | Attraction to multiple genders (self-defined) | Self-identification in speech, writing, or interviews |
| “Bi-coded“ | Attraction to multiple genders (inferred) | Documented relationships, diaries, letters, oral accounts, works, and credible historical accounts |
| “Queer-coded“ | Broad nonconformity, Non-heterosexual or non-normative identity signals, politics, culture, themes, no clear evidence of multi-gender attraction | Themes, gender expression, speculation |
Queer-coded is broader and usually means the person’s life, art, gender expression, or relationships challenge heteronormativity, but there may be no clear evidence of multi-gender attraction. Because queer-coded figures can easily drift into lesbian or gay histories, leaving the bi option as a gap.

RESEARCH & SOURCES
Grounded in primary and secondary sources, including:
- In their own words – Writings, poems, lyrics, and essays
- Interviews, letters, and oral histories
- Archival articles and cultural records
Full citations and resources provided on the Sources page
“The machinery of racial discrimination operates through laws, customs, and practices which, taken together, form a comprehensive pattern.”
PAULI MURRAY

Themes & Topics
- Black History Month
- Women’s History Month
- LGBTQ+ media and Bi+ visibility initiatives
- Cultural history and archival storytelling
- Identity, race, gender, and sexuality in media
- Download the One page flyer here
Season Finale: Hard in America – Frances Thompson – BINARY BASHERS
- Season Finale: Hard in America – Frances Thompson
- Too Much At Once, Just Right for History – Pauli Murray
- Multiplicity Was the Point – Dr. Ibrahim Farajajé
- Beyond the Bars, Beyond the Binary – Kuwasi Balagoon's Revolution
- Fully and Freely All That I Am – June Jordan
- Tired of Being a Saint – Alice Dunbar-Nelson
- Between Thunder and Lightning – Countee Cullen
- The Fluid Life of Leslie Hutchinson
- She Sang What She Couldn't Say – Ma Rainey
